MLP x Culture File
You Talkin’ to Me?
Featuring Marian Balfe, Jay Bernard, Basil Al-Rawi, Lisa Freeman, Ruth Clinton and Niamh Moriarty
You Talkin’ to Me? is the Mirror Lamp Press x Culture File audio issue featuring new work by Ruth Clinton & Niamh Moriarty, Marian Balfe, Lisa Freeman, Basil Al-Rawi, and Jay Bernard. This one-hour radio show explores voice, performance, and the politics of being heard, using the famous line “You talkin’ to me?” from Taxi Driver as a starting point. It was broadcast on The Lyric Feature on RTÉ lyric FM on 8th February 2026.
To Olivia
Marian Balfe
To Olivia is a letter and a cheers to Olivia Whitmore Guinness, the matriarch of the Guinness family. Olivia's body and wealth were instrumental to history, but she is largely forgotten within the maelstrom of the Guinness Brand. This letter recounts Marian's search for her and considers how she is remembered.
Marian Balfe is an artist from the Midlands of Ireland. She explores how painting, writing, sculpture, and printed ephemera may be used to reflect on relationships, identity, and values in Irish society.
The Image Reclaimed
Basil Al-Rawi
The Image Reclaimed is a poetic audio essay that reflects on the power of media to shape and distort identity. Blending voice, archival sound, and theory, it traces the artist’s experience of growing up between Irish and Iraqi cultures amid the televised wars of the 80s and 90s. Through fragments of memory, philosophy, and popular media, the piece examines how the media has framed Arab identity through violence and absence, and how personal and collective archives can offer resistance and belonging. Reclaiming the image becomes an act of remembrance, a way to find a mirror that finally reflects what was left outside the frame.
Basil Al-Rawi is an Irish-Iraqi visual artist working across photography, moving image, sculpture, and digital environments. His practice explores personal and cultural memory, hybrid identity, and the mediated ways histories are told or obscured. Recent work centres on the memoryscape: immersive environments that spatialise memory through vernacular photographs, oral histories, and archival fragments. His work has been shown internationally, including at Lahore Biennale, The Photographers’ Gallery, and The International Centre for the Image. Al-Rawi was recently awarded the inaugural Gibson Travelling Fellowship by Crawford Art Gallery and is supported by the Arts Council of Ireland.
Piggy
Lisa Freeman
Piggy is an attempt at getting off the train at the right stop. It’s about human connection, greed, violence, and the desire to be seen. How does it feel to balance on the knife-edge between playful and threatening? Piggy will let you know. This radio poem is set in the present but looks through the haze to draw upon the recent past. The voice of talented actor Pattie Maguire lends a rich texture to the text, accompanied by a mythical soundscape composed by accomplished musician Seán Mac Erlaine.
Lisa Freeman is an artist and filmmaker based in Dublin, Ireland. Her work explores how intimacy might be employed as a form of resistance. She has shown her work at International Film Festival Rotterdam; Irish Museum of Modern Art; Temple Bar Gallery + Studios, Dublin, Irish Film Institute; WORM, Rotterdam; Salt Lake Film Society, Utah; Cork International Film Festival; Belfast Film Festival, Festival ECRÃ, Rio de Janeiro; Somerset House, London; Solas Nua, Washington DC.
Freeman has received several Bursary and Project awards from the Arts Council of Ireland. She recently spent six months on residency at Cité Internationale des Arts Paris, supported by Temple Bar Gallery + Studios, Dublin and Bétonsalon, Paris. Her work is held in the collection of the Arts Council of Ireland.
A Tardiness in Nature
Jay Bernard
A Tardiness in Nature takes the form of an internal monologue trying to make sense of fragments of voices, memories, and impressions that feel faint, distorted, or misremembered. The poem takes its title from King Lear: “Is it but this, a tardiness in nature, which often leaves the history unspoke of what it intends to do?” Conflating this with the figure of Travis Bickle in Taxi Driver, it explores the fragile boundary between how we are seen by others and how we understand ourselves. Like Lear and Bickle, the speaking voice struggles to interpret the world around it, mistaking uncertainty for threat and directing its conflict outward.
Jay Bernard (FRSL) is an interdisciplinary writer and artist from London whose work is rooted in sound, poetry and social history. Jay was named Sunday Times Young Writer of the Year 2020 and winner of the 2017 Ted Hughes Award for their first collection Surge. Recent work includes Far from the Start, an audio installation at Studio Voltaire that re-imagines the Windrush; Blue Now, a live rendition of Derek Jarman’s film ‘Blue’; Joint, a poetic-play about the history of joint enterprise; Crystals of this Social Substance, a sound installation about young people, capitalism and money at the ‘21 Serpentine pavilion; Complicity, a pamphlet about colonial memory in the urban environment, based on the collection at the Tate; and The Last 7 Years, a digital and live sound piece produced by Art Angel. Jay is a DAAD literature fellow and a 2023/24 fellow at the Institute of Ideas and Imagination, Paris.
The SORRIEST – One hundred years of public apologies
Ruth Clinton and Niamh Moriarty
The SORRIEST is a compilation of high-profile apologies made over the past one hundred years. These open letters and speeches were written and delivered by public figures including industrialist Henry Ford; US presidents Ronald Reagan, Bill Clinton and George W. Bush; Queen Elizabeth II and King Charles III of England; Pope John Paul II; British Prime Ministers Tony Blair, David Cameron, Theresa May and Boris Johnston, Irish Taoiseach Leo Varadkar, and Justin Trudeau, who made at least ten official and personal apologies over the course of his tenure as Canadian Prime Minister. The compiled speech echoes the tonal rhythms of Tony Blair’s response to the incriminating findings in the Iraq War Inquiry of 2016, a nearly two-hour defence.
The SORRIEST considers what the role of the public apology, a carefully written and performed monologue, can be in society. An atonement, made by an appointed representative, can come generations after the event. One absurd example saw Pope John Paul II apologise to the Archbishop of Athens for the Crusaders' Sacking of Constantinople in 1204, eight hundred years later. At a time of increasing censorship of dissenting voices on one hand, and the erosion of international human rights laws on the other, can a political apology ever be sufficient to garner public forgiveness after a crime has already been carried out? Or are state powers simply following the old adage that it is much easier to ask for forgiveness than to get permission?
It is ten years on from Tony Blair’s infamous apology, and he is back in public life, and poised to oversee a ‘peaceful transition of power’ in Gaza. It might actually be crucial that we take notice when he says: Today is the right moment to go back and look at the history of that time so that those, even if they passionately disagree, will understand my reasons and motives; and to learn lessons so that we do better in future.
Ruth Clinton and Niamh Moriarty are collaborative artists based in the West of Ireland. Working together for over a decade, they use performance, video, sound installation and storytelling to make artworks that are concerned with power and complicity, ecology and loss. Their recent work tests the possibility of creating a new narrative identity for Ireland and the Irish diaspora that will acknowledge our struggles, admit our complicities and build our capacity for solidarity.
Relevant projects to this theme include: A Disentailing Deed, 41st EVA International—Ireland’s Biennale of Contemporary Arts, ‘It Takes a Village’, curated by Eszter Szakács with the EVA team, 2025; A Collection of Disarticulated Bones, TULCA Festival of Visual Arts and Galway City Museum, ‘The Salvage Agency’, curated by Michele Horrigan— touring to Solas Nua, Washington D.C. and Moss Arts Centre, Virginia Tech, 2024; Last of the Visioners, curated exhibition for The Model, Sligo, 2023; In a Contrary Place, solo/collaborative exhibition, Hyde Bridge Gallery & Sligo Cairde Arts Festival, 2022
For more information, please see ruthandniamh.info